Friday, February 8, 2019

Naslunds Novel, Ahabs Wife and Melvilles Moby Dick :: Comparison Compare Contrast Essays

Challenging Writing as a Male usage in Naslunds Novel, Ahabs Wife and Melvilles Moby Dick In Sena Jeter Naslunds story Ahabs Wife, there is crying reference to the chaos of the waves (40) Naslund uses these images of turbulent water in contrast to the on the nose and patterned nature of stitched quilts. She equates the process of writing a retain to the posture of sewing (70). She asserts when unmatchable stitches, the assessment travels...And books, like quilts, ar do one word at a time, one stitch at a time (70). The consequences of making this type of connection within a literary narrative authored by a charr writer are penetrative to the fundamental assumptions about the creation of literature. I put forth, then, the system that Naslund knowingly mocks the concept that writing, particularly writing to make literature, is primarily a male tradition, the prevailing thought during Unas existence as a assumed character. Naslund derives Una from Moby-Dick, takes a peripheral character in a major novel about a mans war upon the deep (18), a novel she knows has been pronounced a classic and has endured beyond its time period, and compels the shadow-figure of the males narrative into the prominent vocalisation of a females narrative. What is produced by the male becomes a reproduction by the female. In effect, tradition is usurped, inversed, and woman dominates the text, a text birthed by Melville, a staggeringly lauded male author. Therefore, man author exchanges positions with woman, becomes impregnated by a story, tells the story, brings the story into existence. The woman author takes the story and retells it, reclaiming it as her sustain, brings a new story into existence. She overshadows the object of fiction previously created and through intertextuality connects herself to the expanse of literature. She blatantly utilizes the mans text to her own literary advantages, and discovers an act of erecting a memorial for women through one word at a time. The stitching of one word at a time in direct opposition to the journey of mans mind which travels...with ax and oxen through the wilderness (70) explicitly undermines Ahabs journey, his war upon the deep, whether or not Una is aware of the disruptive quality of her stream of consciousness. Una suggests that writing a book...which men

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